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  Techniques

Experimental Recording Techniques Using a Phototransistor

by David Mierzwinski
[Previously published in the Spring 2007 AA-EVP NewsJournal]

©David Mierzwinski - All Rights Reserved

 


 

 

This article presents an experimental approach for making EVP recordings. Its purpose is instructional and to help promote an understanding of vibrational energy and how we may better perceive it.

 

I’m going to share with you a few simple techniques for recording lightwave vibrational energy. This is energy which is beyond what we may see and hear every day. A good example is a common household light bulb. You see the light and can feel the heat produced by it; however, you cannot hear that the bulb is being modulated by the 60 Hz line current. You may be surprised at the amount of “sound” that is silent to us, some manmade and some perhaps not.

 

The technique involves use of a single, widely available electronic component called a phototransistor. This is not the same as a diode which was used by early EVP researchers. The phototransistor I recommend is available at any Radio Shack store or available from them online. The part number is 276-145. My tests have shown that the device is responsive to infrared, visible and ultraviolet light. All of these frequencies of light mentioned are well above radio broadcast, cell and microwave transmission frequencies.

 

You can make a simple plug-in phototransistor adapter for your digital recorder. All popular digital recorders I am aware of use internal electret microphones. With these recorders you can use the external microphone jack. The recorder will provide the small voltage the phototransistor requires to operate at the external microphone jack. The 1/8” phone plug common to most recorders is Radio Shack part number 274-286.

 

Solder the photo-transistor to the phone plug as follows: The phototransistor has a flat edge on its case, this is the collector mark. The remaining lead is called the emitter; Connect (solder) the collector to the short pin of the phone plug; and, the emitter connects to the long pin of the phone plug. The photo shows the completed assembly ready for use.

Plug the completed adapter assembly into the external microphone jack of your portable digital recorder and start exploring. Try recording various light or even heat sources; you can unplug the adapter at any time and make a verbal notation of the source. Plug it back in and continue. You will hear different sounds when you record various sources like candles, light bulbs, computer monitor screens, TV sets, remote controls or a fireplace.

 

For example, a quartz-tube space heater at full power (glowing) will produce a very pure thermal white noise. Place the recorder in your car and drive around. You may be surprised at what you can hear in the filtered sunshine as the levels of light change as you drive. If you have a crystal or mineral collection you may try recording reflections or direct light shined through a crystal (sunshine, LED flashlight or a laser pointer works well).

Would you like to hear your own voice through the vibration of light? Here is a simple device you can make for a number of interesting experiments. It is based on A.G. Bell’s Photophone invented around 1880. For my model, I used some reflective, shiny, very thin, gift wrapping plastic (like a Mylar or Saran plastic). I taped this film very tightly (like a drum) over the front of an old eight-inch diameter audio loudspeaker.

 

Hold the completed Photophone so sunlight reflected from the surface of the shiny, flexible mirror shines on the phototransistor. Now speak closely and loudly to the surface of the Photophone. On playback you should hear your own voice. The quality will depend on how well your voice vibrates the surface of the Photophone. For more controlled experiments, you can connect the loudspeaker to a stereo or amplifier and play different sounds through it to vibrate the film. Just place the speaker so that sunlight reflects from the surface to the phototransistor. Try using music, Spiricom tones, babble or even white noise, as an example.

 

Another technique is to provide external vibration to a light source and record the result. Pictured is a small tea candle placed in the well of an ultrasonic cleaner. The candle is in a small amount of water, lit and the cleaner turned on in a darkened room. The recorder is held clear of the cleaner and pointed at the candle which flickers at a very high rate in this atmosphere.

Completed six-foot cable

You may wish to build a phototransistor cable that can be used with your home computer sound card for recording. The Radio Shack part number of the cable to use is 42-2434. The six-foot cable has a molded 1/8” plug on one end and tinned leads on the other end, ready to connect the phototransistor. The connections are as follows: inner conductor of cable connects to photo-transistor collector (flat edge), outer (shield) connects to emitter.

 

An interesting experiment that has yielded good results has been the optical microphone. The optical microphone is a commonly available oil lamp. The only oil lamp style that has worked so far has been a lamp with a three-fourths inch wide wick. The wick that comes with these lamps is cotton and works well. I have begun tests with other wick materials as of this writing. I attach the phototransistor and cable assembly to the lamp with a thick rubber band. A reflector is required to be placed behind the phototransistor. A white 3 x 5-file card is excellent for this purpose. This simple reflector greatly increases the gain of the microphone. If your sound card allows audio monitoring, you can experiment with the flame level for best reproduction of your voice. A high flame level can overload the phototransistor. Start with a low flame and ratchet it up slowly. Speak into the chimney of the lamp or across its top if you are sensitive to the exhaust fumes. Use an ultra-pure liquid paraffin lamp fuel for lowest odor.

Have fun exploring the under-researched areas of light energy vibrations with these unique recording techniques.

 

 

 

ATransC Techniques

Index of articles

Some articles are in multiple indexes so you may need to use the "Back" button

 

Introduction to Techniques

Visual ITC

Index: Techniques for Visual ITC

Video ITC Recording Techniques

Moving water for Visual ITC

Audio ITC

Index: Techniques for Working with Audio

   ITC

Basic Recording EVP

Editing Sound Files for EVP

Optical Microphone for EVP

Optical Microphone for EVP--Version 2

Phone Line for EVP Collection

Portuguese Language Crowd Babble

Real-time EVP using DC6

Record Sound into a Computer

Remove Noise with Inverted Channel

   Nullification

Richard Smith EVPmaker with allophones

Selecting an Audio Recorder

Setup for audacity audio program

Using a computer to record for EVP

General

Monitoring Geoweather

Sidereal Time as it influences trans-etheric

   phenomena

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   Telephone ITC

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Best Practices: 4Cell EVP Protocol

Best Practices: Characteristics Test for EVP

Best Practices: Objectivity Test for EVP

Best Practices: Using a Second Recorder

Journal: 4Cell Experiment

 

 

Also see:

A Simple Optical Microphone

 

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